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c. 1445 – May 17, 1510. Italian painter.

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Charles Beaubrun
Louis XIV et la Dame Longuet de La Giraudiere

ID: 82669

Charles Beaubrun Louis XIV et la Dame Longuet de La Giraudiere
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Charles Beaubrun Louis XIV et la Dame Longuet de La Giraudiere


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Charles Beaubrun

(Charles Bobrun) (1604 - 1692) was a French portrait painter active in Paris between 1630-70. Charles Beaubrun was born at Amboise, a member of a distinguished family of painters. He studied under his uncle Louis Beaubrun (d. 1627). He and his cousin Henri Beaubrun (II) (1603 - 1677), were portrait painters in the courts of King Louis XIII and Louis XIV of France. Some of his work is jointly attributed to Henri. His youngest brother, Michel Beaubrun (d 1642), was also a painter. Charles Beaubrun died at Paris.   Related Paintings of Charles Beaubrun :. | Arrival of the English Ambassadors (detail) fg | Das Kolosseum in einer Mondnacht | Brothel Scene | Carging Timber in the New Forest (mk37) | Younger castellan with white swan |
Related Artists:
Charles Cottet
Charles Cottet (1863-1925), French painter, was born at Le Puy-en-Velay and died in Paris. A famed post-impressionist, Cottet is known for his dark, evocative painting of rural Brittany and seascapes. He led a school of painters known as the Bande noire or Nubians group (for the somber palette they used, in contrast to the brighter post-impressionist paintings), and was friends with such artists as Auguste Rodin. Cottet studied at the École des Beaux-Arts, and under Puvis de Chavannes and Roll, while also attending the Academie Julian (where fellow students formed Les Nabis school of painting, with which he was later associated). He travelled and painted in Egypt, Italy, and on Lake Geneva, but he made his name with his sombre and gloomy, firmly designed, severe and impressive scenes of life on the Brittany coast. Cottet exhibited at the Salon of 1889, but on a trip to Brittany in 1886 he had found his true calling. For the next twenty years he painted scenes of rural and harbor life, portraying a culture Parisians still found exotic. He is especially noted for his dark seascapes of Breton harbors at dawn, and evocative scenes from the lives of Breton fishermen. He was close friends with Charles Maurin, and his group included the painter Felix-Émile-Jean Vallotton. Cottet has often been associated with the picturesque seaside symbolism of the Pont-Aven School, though Vallotton famously painted Cottet as a leader of Les Nabis, beside Pierre Bonnard, Edouard Vuillard, and Ker-Xavier Roussel, in his Five Painters (1902-3; Kunstmuseum Winterthur). Cottet was more explicitly the leader of his own small movement, the Bande noire of the 1890s, which included Lucien Simon and Andre Dauchez, all influenced by the realism and dark colours of Courbet.
PARENZANO, Bernardino
Italian painter, Paduan school (b. ca. 1450, Parenzo, d. ca. 1500, Vicenza).
Libri, Girolamo dai
Italian Painter, ca.1474-1555 Illuminator and painter, son of Francesco dai Libri. He was evidently trained by his father, but he received commissions for altarpieces as well as manuscripts. Documents indicate that he lived in Verona all his life, but an early miniature of the Nativity, the only work by him in a series of choir-books almost certainly painted in Ferrara, suggests that he may have spent some time there. Vasari's record that he worked as an illuminator in the monastery of S Salvatore in Candiana (Padua) may be true, as some of Girolamo's surviving miniatures were executed for the abbey. The only record of Girolamo's views on his art occurs in a register of 1544: 'a good and worthy painter must know how to imitate nature well and to feign that which nature makes, and he must be universal in depicting landscapes






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